merii ghaaghrii me.n/mere lahe.nge me.n ghu.nghruu/mere pairo.n me.n ghu,nghruu

merii ghaaghrii me.n ghu.nghru lawaa de written by Prem Dhawan for Sawan (1959)


A year later ghaaghrii becomes lahe.nga and lawa becomes lagaa in the mukhRaa
mere lahe.nge me.n ghu.Ngharuu lagaa de From Basant (1960) written by Qamar Jalalabadi


The last one became the most popular of the three, in Sangharsh (1968) the hero is singing the song, so instead of the lahengaa, the ghu.nghruus are on the feet.Shakeel Badayuni wrote the song.

mere pairo.n me.n ghu.Ngharuu ba.nDhaa de to phir

na aadamii kaa ko_ii bharosaa

na aadamii kaa ko_ii bharosaa written by Shakeel Badayuni for Aadmi (1968), had the following lines

na husn meN ab vo dilkashii hai na ishq meN ab vo zindagii hai
jidhar nigaaheN uThaa ke dekho sitam hai dhoka hai beruKii hai


which echoes this sher of Iqbal from one of his Ghazals

na vo ishq meN raheeN garmiyaan na vo husn meN raheeN shoKiyaaN
na vo Gazanavii meN taRap rahii na vo Kam hai zulf-e-ayaaz meN

Two years before, in 1966 this Iqbal GHazal was sung by Lata in Dulhan Ek Raat Ki.

hu_e ham jinke li_e barbaad

Muztar Khairabadi wrote:
asiir-e-panja-e-ahd-e-shabaab kar ke mujhe
kahaa.n gayaa meraa bachpan Karaab kar ke mujhe

Shakeel Badayuni used it at the beginning of a song in Deedar (1951). The song was
hu_e ham jinke li_e barbaad vo hamko chaahe kare.n na yaad
jiivan bhar...jiivan bhar unkii yaad me.n ham gaa_e jaa_e.nge, gaa_e jaa_e.nge